One ought to listen to Bach's music in the cozy comfort of your home - an intimate setting with a small chamber ensemble, an overstuffed chair big enough to put your feet up, a warm beverage, tons of friends, and plenty of time to enjoy the delicately embroidered runs, the amazing richness of fugues, the unexpected harmonies.
But I had none of that. I found myself driving to the post office to mail a Christmas card to my darling granddaughters after dropping Drew off at the library so he could work on papers due tomorrow. The roads weren't too bad yet, the driving rain so cold it hit the windshield hard and skittered off leaving frozen ruts at the edge of the window.
The mailbox was coated in a thick layer of ice, and the sidewalks were treacherous. I popped the card in the slot and scooted quickly back to the warmth of the car just as the announcer introduced the Bach cantata "Nun Komm der Heiden Heiland" - a cantata I conducted when I was in Illinois for an Advent event and have become fond of.
Yes, I was fortunate to have worked with excellent musicians for the cantata - many students from the university, a bit of budget to pay them, good scores to work with, and a kind friend to consult when I was stuck about how to do something musically. I'm sure it was no big deal to them, but for me, the joy of conducting Bach - of standing right in front of the small string ensemble, the wash of sound - was pure amazement. I can't wait for another opportunity to do it again.
I briefly realized that to listen to the cantata meant sitting in the car with the motor running for a half hour or so (gas dollars went flying through my head), but I knew if I let the moment pass, I would not have the opportunity again for some time. So I pushed the seat as far back as it went, turned up the radio, and jumped in with both ears.
It was a bit eerie parked in an empty post office lot in the downpouring rain watching everything slowly freeze over, but my awareness of the surroundings lasted a brief moment. Almost as soon as the music began, the score floated before my eyes - yes, the opening so slow and filled with longing that you had to conduct every beat twice. I could nearly see the Gothic architecture of the sanctuary, the vast blue velvet curtains, the rose window. Even that faded as the music wrapped itself around my head, taking me along such intricate and pleasant paths, winding and twisting with yearning for the coming of the savior. Come NOW, savior of the nations! COME.
I lifted my voice with theirs, transcending time and place, praying the prayer of advent we still raise to God. Come with your peace and your joy. End the pain, the suffering, the sadness, the cruelty, the hunger and thirst, the wars. Come, Savior.
As the last strains faded and the announcer reiterated the name of the piece, I turned off the radio and sat a few more minutes, listening to the rain plaster everything, thankful to be warm and rested and blessed. I love Advent. I love Bach's music. I even love the rain.